Saturday, August 31, 2013

Friday, August 30, 2013

IN SARO…WE TAKE YOU THROUGH THE ENTIRE MUSIC AND DANCE LORES OF THIS COUNTRY, says Gbenga Yusuf, Dance Director



“Saro will be a standard for any play of its kind in the future. It is distinctive because this time in Nigeria, we are using these different genres of arts on thread system. Every aspect is peaked whenever on stage.”-- Gbenga Yusuf, Dance Director for SARO

For the past two hours, I have watched you dance and give instructions…
Yes. I am the dance director for SARO, The Musical;I am basically focused on body movement and stage direction, formation and adding to the duties of cast on stage... I help with bringing the music to life with body movement -- dances; creating beautiful movement on stage and so on. Aesthetics is very key in musicals and adding costumes with body movement with different formations add grace to the production. So, that is my primary function in this show.

SARO… Will Change Our Theatre Landscape Significantly, says Kenneth Uphopho, Director (Drama)


"Some musicals that have come out of this country used dance as an accompaniment but in Saro, dance is an instrument of communication, telling that part of the story for that purpose -- not just going to be there for the aesthetics; it is going to tell a story."-- Kenneth Uphopho, Director (Drama) for SARO

Who is Kenneth Uphopho ?
My name is Kenneth Uphopho. I am an actor, a dancer, a theatre producer and director. I am an alumnus of the Lagos State University, Department of Theatre and Music.  I am the Creative Director of the Performing Arts Workshops and Studios (PAWS), an independent theatre outfit based here in Lagos. I have directed over 40 productions for my company and other independent producers. I have also been a part of over 100 stage productions as an actor, dancer, and as a stage manager. I have also co-produced some festivals and directed them. I am the current Artistic Director for the Lagos State Theatre Festival organized by the British Council for 2014; an ongoing project and I am also one of the Directors in SARO.
What aspect of Saro are you directing?
I am in charge of characterization and drama in the play. The play is a musical that brings together different elements of theatre: music, drama, dance, pantomime and mime, etc. So, I am in charge of seeing that other artistic qualities from the actors are carried out effectively in the general production. I am in charge of characterization and the framework of the play.

Wednesday, August 28, 2013

WATCH OUT... NIGERIANS HAVE NEVER SEEN ANYTHING MUSICALLY ACCOMPLISHED AS SARO, says AYO AJAYI, Music Director


"You see, from my experience in the music world, I know when something is marketable, I know when it is commercial; I know when people will appreciate things. When I sit down in my home to listen to music or see movies, I know which one is actually interesting or appealing to people… We are planning to do all genres of music -- synchronized it all together. Music is a universal language. If you are a Nigerian, you will understand it; a Ghanaian, you will understand, no matter where you are from in any part of the world, you will find SARO the musical interesting" -- Ayo Ajayi, Music Director for SARO

It has been pretty difficult to get a chat with you. you've been so busy???
Yes, I have been busy. SARO… is seriously a very big production; we are seriously into it. We have to devote our time.  A lot of commitment has gone into it, having an interview is actually something that comes at the background; not a major for us right now.

Saro- the musical. How great is Saro?
Well, Saro  is something that has never happened in this country before. Not as in the word but, with what we are bringing into it. According to research, Saro is a settlement… where former slaves who came back settled in an area of Lagos Island. In our own way, SARO is a big musical project, and that I can tell you boldly.



                                                                            

Freedom Is What They Seek! SARO: The Four Young Guys Who Embarked On A Journey To The City of Lagos.

SARO: The Four Young Guys.
Lagos was a strategic and important fishing location for the original founders, the Aworis.

SARO… WILL BE A GAME-CHANGER FOR THE AUDIENCE, THE ARTISTES AND FOR NIGERIA THEATRE, says Diana Yekinni, playing Ronke in SARO the Musical

“SARO… is going to be a game changer. The show is going to be fabulous.

Monday, August 26, 2013

One on One with Olumide Dada, ‘Azeez’ in SARO

Olumide Dada, known as 'Azeez' in the musical play SARO

In SARO, Olumide Dada plays the role of 'Azeez', the leader of four young performers who embarked on a journey in search of their destiny. The boys shake off the shackles of complacency and head for a land that promises limitless opportunities. Inevitable human emotions ensue, including love, fear, jealousy and the inevitable “success”. 


Freedom is what they seek and Lagos has the potential to offer these emerging artists an escape from poverty. A devastating experience lands them in the lap of destiny, success ignites them and love fuels them. Will their purpose be fulfilled? Destiny is always inevitable. 

Olumide Dada talks about his experience as the theatre world and his excitement for SARO.

SPOTLIGHT: Kenneth Uphopho - Director of Drama - SARO Musical Play

First spotlight of this week is Kenneth Uphopho, the Director of Drama for the musical play - SARO.